 VENDEURS EUROPEENS - A propos | | Page suivante >>[ 1 ] |  Di-Arezzo | Black Bottom Stomp (ROLL MORTON JELLY)
Keyboard, Guitar & Drums optional. Par ROLL MORTON JELLY. / Niveau : Intermédiaire / Répertoire / 5 Part Ensemble et Piano ou Clavier) 40.20 EUR - Voir plus - Acheter Voir couverture | | Di-Arezzo | Jelly Roll Morton: Dead Man Blues: Brass Band: Score and Parts
Voir couverture | | Di-Arezzo | Jelly Roll Morton: Black Bottom Stomp: Brass Band: Score and Parts
Voir couverture | | Di-Arezzo | Jelly Roll Morton: Black Bottom Stomp: Concert Band: Score and Parts
Voir couverture |  Di-Arezzo | Fast Forward: Boogie Woogie Piano: Piano: Instrumental Tutor
  Create the boogie sounds of such great pianists as Jools Holland and Jelly Roll Morton. Develop authentic left-hand rhythmic patterns and sparkling riffs. Discover the secrets of syncopation arpeggios grace notes and otheressential boogie techniques. Each track on the accompanying CD is recorded twice first with the piano then with backing tracks so you can play the piano part.14.99 EUR - Voir plus - Acheter |  Di-Arezzo | Jelly Roll Morton: King Porter Stomp - The Music of Jelly Roll Morton: Guitar:
Arranged For Fingerstyle Guitar-This collection pays tribute to Jelly Roll Morton the composer giving his melodies full respect rather than turning them into improvisational vehicles. The result is a fine exposition of the musical possibilities of solo fingerstyle guitar playing and a worthy tribute to Jelly Roll Morton one of the greatest musicians of the twentieth century.The thirteen solos presented in this collection cover a wide range of Mr. Jelly Lord's music chronologically and stylistically. They were arranged by the Swedish guitarist Lasse Johansson. Lasse displays ample proof of the viability of the transposing Morton's ideas to the guitar. Pieces like King Porter Stomp andGrandpa's Spells are good examples of Morton's expansion of the ragtime approach. Chicago Breakdown and especially Wild Man Blues were made famous by Louis Armstrong. And Dixie Knows has a folk quality the first section evoking Alabama Bound.This is an enhanced CD and ALL the tunes have been transcribed in tab/music in the 72 page PDF booklet that is on the CD9.95 EUR - Voir plus - Acheter Voir couverture |  Di-Arezzo | Jelly Roll Morton: The Piano Rolls: Piano: Instrumental Album
Six original performances from the great New Orleans pianist Jelly Roll Morton transcribed from the piano rolls he made in the 1920s.11.95 EUR - Voir plus - Acheter Voir couverture |  Di-Arezzo | Jelly Roll Morton: The Best Of Jelly Roll Morton Piano Solos: Piano & Guitar:
Twenty pieces from this popular jazz composer including titles featured in the Tony Award-winning musical Jelly's Last Jam. Includes 'Billy Goat Stomp' 'Jelly Roll Blues' 'London Blues' 'Queen Of Spades' and 'ShreveportStomp'.21.99 EUR - Voir plus - Acheter Voir couverture |  Di-Arezzo | Black Bottom Stomp
Voir couverture |  Di-Arezzo | Fast Forward Boogie Woogie
Create the boogie sounds of such great pianists as Jools Holland and Jelly Roll Morton. Develop authentic left-hand rhythmic patterns and sparkling riffs. Discover the secrets of syncopation, arpeggios, grace notes, and other essential boogie techniques. Each track on the accompanying CD is recorded twice, first with the piano, then with backing tracks so you can play the piano part. / Piano19.80 EUR - Voir plus - Acheter Voir couverture | | Di-Arezzo | Barrelhouse And Boogie
Eric Kriss. Apprendre le blues de style piano de transcriptions complètes, plus un record de solos originales de 22 grands du piano : Jelly Roll Morton, Memphis Slim, Meade Lux Lewis et plus encore. / Piano29.60 EUR - Voir plus - Acheter |  Di-Arezzo | Jazz Play-long Vol. 119 - Jelly Roll Morton
For use with all B-flat, E-flat, Bass Clef and C instruments, the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues, and other split-track choices on the included CD, these first-of-a-kind packages help you master improvisation while playing some of the greatest tunes of all time. FOR STUDY, each tune includes a split track with: Melody cue with proper style and inflection ? Professional rhythm tracks ? Choruses for soloing ? Removable bass part ? Removable piano part. FOR PERFORMANCE, each tune also has: An additional full stereo accompaniment track (no melody) ? Additional choruses for soloing.20.30 EUR - Voir plus - Acheter Voir couverture |  Di-Arezzo | Barrelhouse And Boogie - Piano Solo
Description Eric Kriss. Learn blues style piano from complete transcriptions, plus a record of original solos of 22 piano greats: Jelly Roll Morton, Memphis Slim, Meade Lux Lewis and more.20.60 EUR - Voir plus - Acheter Voir couverture |  Di-Arezzo | Worrall Bill - Fast Forward - Boogie Woogie + Cd - Piano
BOOGIE WOODIE PIANO' VOUS PERMETTRA DE RECRÉER LE SON DE FORMIDABLES PIANISTES TEL JOOLS HOLLAND, JELLY ROLL MORTON ET PROFESSOR LONGHAIR, DÉVELOPPER D'AUTHENTIQUES RHYTHMIC PATTERNS À LA MAIN GAUCHE, DÉCOUVRIR LES SECRETS DES ARPÉGES, SYNCOPES ET AUTRES TECHNIQUES ESSENTIELLES POUR JOUER DU BOOGIE AU PIANO. EN ANGALIS, AVEC UN CD CONETANT LES PLAY ALONG DES EXEMPLES DU LIVRES. 18.99 EUR - Voir plus - Acheter Voir couverture |  Note4Piano | Morton, Jelly Roll : The Piano Rolls
Voir couverture |  Note4Piano | Fast Forward: Boogie Woogie Piano
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 VENDEURS AMERICAINS - A propos | | Page suivante >> [ 1 ] |  | Stop and Go
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr SKU: PE.EP68488 Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Score. 36 pages. Edition Peters #98-EP68488. Published by Edition Peters (PE.EP68488). ISBN 9790300758893. English. At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor) As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011) 18.50 - Voir plus - Acheter en ligne Voir couverture |  | Stop and Go
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr SKU: PE.EP68488A Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Part(s). 60 pages. Edition Peters #98-EP68488A. Published by Edition Peters (PE.EP68488A). ISBN 9790300758909. English. At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor) As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011) 39.00 - Voir plus - Acheter en ligne Voir couverture |  | Black Bottom Stomp
Composed by Jelly Roll Morton. For saxophone quartet (S(A)ATB saxophones with optional keyboard and percussion). Grade 2+. Score and parts. Published by Editions Marc Reift 22.95 - Voir plus - Acheter en ligne Voir couverture |  | Black Bottom Stomp
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By Jelly Roll Morton. For 5-Part Ensemble (Keyboard, Guitar, Drums optional). Swiss import. Grade 3.5. Score and parts. Published by Editions Marc Reift33.95 - Voir plus - Acheter en ligne Voir couverture |  | Jelly Roll Morton (Jazz Play-Along Volume 119)
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Extrait de partition |  | Black Bottom Stomp
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Extrait de partition |  | King Porter Stomp
By Jelly Roll Morton. Arranged by Fletcher Henderson. Composed by Jelly Roll Morton / arr. Fletcher Henderson. For Jazz Ensemble. Jazz ensemble. Essential Jazz Editions (Jazz at Lincoln Center). Level: 3.5 (Medium) (grade 3.5). Conductor Score & Parts. Published by Alfred Publishing. 45.00 - Voir plus - Acheter en ligne Voir couverture
Extrait de partition |  | Black Bottom Stomp
By Jelly Roll Morton. For Jazz Ensemble. Jazz Ensemble. Essential Jazz Editions (Jazz at Lincoln Center). Level: 3.5 (Medium) (grade 3.5). Conductor Score. 16 pages. Published by Alfred Publishing. 7.00 - Voir plus - Acheter en ligne Voir couverture
Extrait de partition |  | Jelly Roll Morton: Black Bottom Stomp
By Jelly Roll Morton. For 5-part ensemble (brass quintet or woodwind quintet). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 5424)
Level: 3+. 31.95 - Voir plus - Acheter en ligne Voir couverture
Extrait de partition |  | Fred Sturm: Black Bottom Stomp
Extrait de partition |  | Jelly's Last Jam
Vocal Selections. By Jelly Roll Morton. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 80 pages. Published by Hal Leonard. 12.95 - Voir plus - Acheter en ligne Voir couverture
Extrait de partition |  | Black Bottom Stump
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Extrait de partition |  | Jelly Roll Morton - The Piano Rolls (Piano)
Piano Solo. By Ferdinand Morton. Arranged by Artis Wodehouse. Artist Transcriptions (Authentic note-for-note transcriptions). Size 9x12 inches. 72 pages. Published by Hal Leonard Corporation.19.99 - Voir plus - Acheter en ligne Voir couverture
Extrait de partition |  | The Best of Jelly Roll Morton
Piano Solo. Performed by Jelly Roll Morton. By Ferdinand Morton. Piano Solo Composer Collection. Size 9x12 inches. 48 pages. Published by Hal Leonard.19.99 - Voir plus - Acheter en ligne Voir couverture |  | Jelly Roll Morton: The Collected Piano Music
Performed by Jelly Roll Morton, edited by James Dapogny. For piano. Format: piano solo book. With performance notes, introductory text, color illustrations and black and white photos. Jazz and ragtime. 513 pages. 9x12 inches. Published by Schirmer.55.00 - Voir plus - Acheter en ligne Voir couverture
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English version
